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Professor 625 Beechwood St.
Vlogý Vlogý, OH 44691
Department of Theatre and Dance (330) 347-4684
Vlogý, OH 44691
(330) 263-2543
sfindley@wooster.edu
Education
1998 Ph.D. in Theatre, University of Missouri
Doctoral Dissertation:
Subverting the Dramatic Text: Folklore, Feminism, and the
Images of Women in Three American Canonical Plays
Advisor: Suzanne Burgoyne
1989 M.A. in Theatre, Miami University
Thesis: To Gillian on her 37th Birthday by Michael Brady:
A Creative Thesis in Directing
1986 B.A. in Theatre, Indiana University at South Bend
Teaching/Administrative Experience
Fall 2018 Chair, Department of Theatre and Dance, Vlogý
2016 2017 Chair, Department of Music, Vlogý
2014 2017 Chair, Department of Theatre and Dance, Vlogý
2013Present Professor of Theatre, Vlogý
2006 2013 Associate Professor of Theatre, Vlogý
2005 2009 Chair, Department of Theatre and Dance, Vlogý
Summer 2004 & 05 Co-director, The Vlogý Film Experience, summer film camp
Summer 2004 Director of Summer Session, Vlogý
1999 - 2006 Assistant Professor, Vlogý
1998 - 1999 Miami University, Department of Theatre, Vlogýing Assistant Professor
1994 - 1998 Miami University, Department of Theatre, Vlogýing Instructor
1989 -1992 University of Missouri-Columbia, Graduate Instructor
1988 -1989 Miami University, Department of Theatre, Adjunct Faculty
1986 -1988 Miami University, Department of Theatre, Graduate Instructor
Areas of Teaching Specialization
Theatre History, Literature, Theory; Feminist Theatre, Playwriting
Courses Taught
Courses Regularly Taught: Introduction to Theatre Research and Writing; Origins of Drama; Dramatic Theory and Criticism; Feminism and Theatre; Junior Independent Study; Playwriting
Writing Intensive Courses at the College of Vlogý: Introduction to Theatre Research and Writing, Playwriting, First Year Seminar, Junior Independent Study, Senior Independent Study, Writing for the Theatre, Introduction to Womens Studies
Team Taught Courses: Vlogý in India: Exploring India at Home and Abroad Through the Arts (includes off-campus study); The Artist as Entrepreneur (as part of the Center for Entrepreneurship); The Global HIV/AIDS Crisis: An Interdisciplinary Approach (with biology, psychology, Philosophy)
First Year Seminars:
21st-Century Storytelling (2019-20)
Theatre and Film/East and West (2010-11, 11-12)
Creativity and Aging: Embracing our Past and Writing our Future Through Intergenerational
Theatre Practice (2005-06)
Life as Performance: a Metatheatrical Approach to Human Behavior (2001-02)
Publications
Disparate Voices of Indian Women Playwrights: Creating a Profession, Ed. Shirley Huston-Findley, Lexington Press, December 2019.
Marathi Theatre Today: An Interview with Shanta Gokhale Theatre Topics, 29.3 (November 2019).
Performance Review: Sovereignty and Jeffersons Garden in Theatre Journal (March 2019).
Understanding Cultural Perspectives Through Greek and Hindu Theatre in Education About Asia (Volume 17, no.1, spring 2012) 44-48.
In Pursuit of Well-Being: The Purpose, Process, Pleasure and Pain of Forming
Boomerang Intergenerational Theatre Company, co-author Jamie Carroll Morris, Theatre/Practice: The Online Journal of theActing/Directing Symposium of the MATC, (2012).
Co-author, Undergraduate Research in the Fine Arts at the College of Vlogý, in Creative Inquiry in the Arts and Humanities: Models of Undergraduate Research. Eds. Naomi Yavneh Klos, Jenny Olin Shanahan, and Gregory Young. Council on Undergraduate Research, 2011.
Footpaths and Bridges: Voices from the Native American Women Playwrights Archive, Edited by Shirley Huston-Findley and Rebecca Howard, U. of Michigan Press, 2008. Second printing (paperback), 2011.
Talk Back Move Forward: 100 Years of Alzheimers. Dir. Anne Basting. Conceptual Team Anne Basting, Shirley Huston-Findley, Brad Lichtenstein, Kathryn Louis and Peter Whitehouse. Interview Team Anne Basting, Shirley Huston-Findley, Chuck Findley, Kathryn Louis. U of Wisconsin-Milwaukee, 2007. DVD.
"Revisioning The Rainmaker," in Text and Performance Quarterly, July 1996. Co-authored with Dr. Suzanne Burgoyne, University of Missouri-Columbia.
Creative Writing (Read or Performed)
Thoughtless (10-minute play)
Mid-American Theatre Conference Playwriting Symposium Dramatists Lab, St. Louis, MO, March 2013.
Breathing India: A Contradiction
Narrative (Kim Tritt, Choreographer, Spring Dance Concert COW 2012)
Past Missing (full-length play)
Staged reading, COW, Directed by Mark Seamon (Dennison), 2010
Staged reading of scenes, MATC Playwriting Symposium Dramatists Lab, 2008, Kansas City, MO
Letting Go, (full-length play) co-written with Jamie Carroll Morris (09) and Alex Paolino-Gibson (09) for the Boomerang Intergenerational Theatre Company
Staged at COW, spring Mainstage Production, 2009.
In Memory of Me (a full-length play)
Staged reading, ATHE, 2006, Chicago, IL
Staged reading, COW, Directed by David Schechter (New York), 2007.
Invited for inclusion in the Eileen Heckart Drama for Seniors Competition Collection within the archives of the Jerome Lawrence and Robert E. Lee Theatre Research Institute Library, one of the special collections of The Ohio State University Libraries
Professional Presentations/Workshops
Paper Presentation, IFTR July 2020, Ireland (postponed until 2021) Shifting Pedagogy/Curating Knowledge Through Digital Humanities in the Theatre Classroom: A Project Presentation
Paper Presentation, MATC 2020, Chicago, IL Shifting Pedagogy in the Theatre Classroom
Chair, Workshop: Verbal Characters, MATC 2020, Chicago, IL
Roundtable: Inventing a Life: Four Journeys Through Academia as Artists and Scholars, MATC 2019, Cleveland, OH
Leadership Institute, ATHE 2018, Boston, MA
Book Proposal Workshop, MATC 2018, Milwaukee, WI
Fulbright Workshop (leader), ATHE 2016, Chicago, IL Writing a Winning Proposal
Paper Presentation, MATC 2015, Kansas City, MO Inspiring Voices: Indian Women Playwrights Speak Out
Panel Presentation, ATHE 2015, Montreal Integrating New Plays and Playwrights into a University Season
Paper Presentation, Conference on South Asia 2015, Indian Women Playwrights Speak Out
Paper Presentation, MATC Pedagogy, March 2013, St. Louis, MO Of Course I Teach Creativity, Im in the Arts!
Panel Presentation, Asian Studies Development Program, Feb/March 2013, Phoenix, AZ Vlogý in India: A Strategy for Infusing South Asian Studies in the Undergraduate Classroom Through the Arts. Co-presented with Professor Kim Tritt, Dance and Shakira Blackmon (14).
Paper Co-Presentation with Theresa Ford, Assessment in the Arts Conference, 2011, Denver. CO Assessing the Artist-Scholar in the Department of Theatre and Dance at Vlogý.
Paper Presentation, Asian Studies Development Program 2011, Boston, MA Reaching East Through the Arts.
Program Participant, East/West Center, Asian Studies Development Program, Infusing South Asia in the Undergraduate Curriculum, Honolulu, Hawaii, July 2010.
Paper Co-Presentation Presentation with Jamie Carroll Morris (09), MATC 2010, Cleveland, OH Where the Public and Private Engage: The Beginnings of Boomerang Intergenerational Theatre.
Panel Presentation, AAC&U 2009, Seattle, WA Globalizing the Curriculum Through Faculty Travel-Study Seminars.
Panel Presentation, Vlogý Faculty at Large Discovery of India with Peter Pozefski (History) and Elizabeth Schiltz (Philosophy) 2008.
Paper Presentation, ATHE 2008, Denver, CO Dilemmas of Intergenerational Theatre: Revisiting the Pedagogical Approach.
Panel Presentation, MATC 2008, Kansas City, MO The Artist as Entrepreneur.
Panel Presentation, AAC&U Washington, D.C. 2008, Entrepreneurship and Liberal Arts Education: Are they Compatible?
Reflecting on 100 Years of Alzheimers: The Power of Personal Story and Storytelling 2006 Cleveland, OH.
Paper Presentation, MATC 2005, Kansas City, MO "Creativity and Dementia: Collaborative Playwriting between Academia and the Elderly."
Workshop, ACTF Region III Festival, 2005 Illinois State University, Writing the Lives of Elders: Creating Dramatic Texts Through TimeSlips Storytelling.
Workshop, North Central Theatre Auditions, 2004 Springfield, OH, Audition Critique Session.
Paper Presentation: 2003, Vlogý Faculty Research Luncheon Series Re(member)ing Identity: The Relationship Between Memory, Self and Performance.
Roundtable Participant: ATHE 2002, San Diego, CA Feminist Pedagogies in the Theatre Classroom: Conversation and Contexts.
Co-Workshop Leader: ATHE 2002, San Diego, CA Writing Theatre: A Workshop in Writing Intensive Pedagogy for Theatre Classes.
Workshop Organizer/Chair: ATHE 2002, San Diego, CA Mentoring the Graduate Student by J. Ellen Gainor.
Workshop Chair: ATHE 2001, Chicago, IL Mentoring Graduate Students and Junior Faculty A Workshop conducted by J. Ellen Gainor and Jeannie Woods.
Paper Presentation: MATC 2001, Chicago, IL Re-Framing Democracy: Anna Deveare Smiths Twilight: Los Angeles, 1992.
Panel Chair/Presenter: ATHE 2000, Washington, D.C. Chairing the Subcommittee on Mentoring: Establishing a Mentoring Program at ATHE.
Panel Presentation: ATHE 1999, Toronto, Canada Pedagogically Queer.
Panel Presentation: MATC 1999, Minneapolis, MN Machinal Exposed.
Panel Presentation: ATHE 1998, San Antonio, TX Dramaturgical Frontiers: Staging Machinal for College Audiences.
Panel Presentation: Womens Studies Colloquium, April 1998, Miami University; Sophie Treadwells Machinal: Producing a New Feminist Aesthetic.
Panel Presentation: SETC 1997, Miami, FL Subversion and Accommodation: American Women and Theatre, 1845-1995.
Panel Chair: SETC 1996, Louisville, KY "Reflections of Contemporary Culture in Postmodern Performances: An Examination of Specific Artists and Art Forms."
Participant in Collegium on Liberal Education; TLA, March 1995.
Panel Presentation: ATHE 1995, San Francisco, CA "If All The Worlds a Stage, Where Do I Begin: Practical Teaching Strategies for Today and the 21st Century."
Paper Presentation: MATC 1993, Kansas City, MO "Role Playing and Illusion in Anouilhs Antigone: A Metatheatrical Exploration."
Paper Presentation: ATHE 1992, Atlanta, GA "Re-visioning The Rainmaker: Folklore, Feminism, and the Transformation of Modem American Drama.
Paper Presentation: MATC 1992, Chicago, IL "A Phenomenological Approach to the Directing Process of Lanford Wilson's The Rimers of Eldritch."
AwardsHonorsGrantsLeaves
Awards/Honors:
Equus held over for KCACTF Region II Festival, 2012
Outstanding Director Award from Kennedy Center ACTF, Nocturne, 2007
Nocturne selected for performance at KCACTF, Milwaukee, WI. January 2007 and Kennedy Center April 2007. (National meritorious citations for student actor, sound designer, stage manager)
Getting Out selected for Evening of Scenes, ACTF Region III, 2005
Recipient of Vlogý Writing Fellow, 2000 - 2002
Recipient of the ASTR Thomas F. Marshall Graduate Student Travel Fellowship, 1992
Recipient of the University of Missouri Graduate Student Teaching Award, 1992
Grants:
External:
Andrew W. Mellon Foundation Grant to attend the Digital HumanitiesSummerInstitute, June 2019.
Andrew W. Mellon Foundation Grant for Digital Collections: From Projects to Pedagogy and Scholarship for Curating a Digital Theatre History Museum, 2019.
Fulbright-Nehru Research Grant for 2013-14Using a feminist lens this study examined the relationship between how the work of contemporary female playwrights in India is gendered based on their distance from partition and the ways in which they have conformed to and/or resisted culturally inscribed gender identities.
2010 New Directions Initiative GrantFunding for travel to India to develop the Vlogý in India Program; Great Lakes Colleges Association
Internal:
Henry Luce III Fund for Distinguished Scholarship to support travel and research during spring 2018 leave
Faculty Development Funding for attendance at conferences in 2015
Henry Luce III Fund for Distinguished Scholarship to support travel and research during 2014 leave
Faculty Development Funding for attendance at MATC, March 7-10, 2013
Hewlett-Melon Grant to support student funding for the Vlogý in India Program, 2011
Henry Luce III Fund for Distinguished Scholarship to support travel and research during 09-10 leave
Center for Creativity and Innovation 2007 Summer Grant to develop a business plan for an Intergenerational Theatre Company
CCI Curriculum Development Grant, Summers 2007 & 2008 to develop The Artist as Entrepreneur (team-taught course with the Director of CCI)
Faculty Development Funding for attendance at the MATC (Changing Theatrical Landscapes: Mapping New Directions in History, Pedagogy, and Practice for the 21st Century), 2007
Faculty Development Funding for development of Talking Back/Moving Forward: Re-Imagining Alzheimers Disease, presented at Reflecting on 100 Years of Alzheimers: Global Impact on Quality of Lives, November, 2006 Cleveland, OH.
Henry Luce III Fund for Distinguished Scholarship, Category II award to support leave (2005).
Faculty Development Funding to attend a weeklong writing workshop entitled Script and Story Structure, July 13 19, 2003 Rockport College in Rockport, Maine
Recipient of Lilly Foundation Mini-Grant for the continuation of the TimeSlips Project, 2002
Leaves:
Research Leave, spring 2018, develop book proposal for Disparate Voices, attend Womens Voices Theatre Festival, Washington D.C. and develop a Performance Review.
Research Leave, spring 2014, conduct interviews of Indian women playwrights (India)
Research Leave, 2009-10, research, development, and writing of dramatic script, Past Missing (Boston)
Study Leave, spring 2005, research, development and writing of dramatic script, In Memory of Me, while working with Roots and Branches Intergenerational Theatre Company (NYC)
COW Directing Experience
The Curious Incident of the Dog in the Night-Time, COW (2019)
The Tempest, COW (2018)
Medea, COW (2017)
Crucible, COW (2016)
Sangreal: An Opera, by Peter Mowery, world premiere, COW (2016)
Scapin, COW (2015)
The Golden Age, COW (2013)
Equus, COW (2012), KCACTF-held over for consideration for Region II Festival
Artistic Director: Festival of New Plays, COW (2012)
Production Director:
Tits by Amanda Wagner (13)
School for Colored Girls by Jasmine Verreen (13)
The Glass Menagerie, COW (2011)
Sangreal (opera, Act One, by Peter Mowrey, Professor of Music), Ingenuity Festival, Cleveland, OH (2010)
The Good Woman of Setzuan, COW (2008)
Clarence Darrow, Restaging, one-man show starring Richard Figge (2007)
Goodnight Desdemona (good morning Juliet), COW (2007)
Nocturne, COW (2006) Selected to perform at the KCACTF Region III in Milwaukee, WI; Selected as one of four productions to perform at The Kennedy Center in Washington,DC (2007)
All My Sons, COW (2006)
Tumesco: Ergo Sum, MATC Staged Reading (2005)
Getting Out, COW (2005) Selected for Evening of Scenes, ACTF Region III
Tartuffe, COW (2004)
How I Learned to Drive, COW (2002)
Twilight: Los Angeles, 1992, COW (2000)
Service to the College
Committee Work: Strategic Priorities Committee (2018-20); Ohio 5 Digital Scholarship (2018-19); Teaching Staff and Tenure Committee (10-13 Chair 12-13; 15-16; 18-20 Chair 19-20); Co-Chair Leaves Committee (16-17); Off-Campus Study (14-15); South Asian Studies Committee (10-13; 14-16); Forum Events Committee (05-06; 12-13); Educational Policy Committee (07-10), Inauguration Planning Committee (07-08); Presidential Transition Committee (07-08), Presidential Search Committee (2006-07), Womens Studies Curriculum Committee (03-05), Writing Advisory Board (04), Committee on Conference with Trustees (02-03, 04-06), Co-Advisor to the Womens Resource Center (03-04); Lilly Project Mini-Grants Committee (03-05), College Scholars (01-02), Cultural Events (Chair, 01-02).
Other:
TREK: Arts in the City10 students in NYC meeting 12 alumni during Fall Break 2019
HostArtist Bill Doan The Anxiety Project (January 2020)
Forum Host/Moderator Albany Park Theatre Project (2013)
Forum Host/Introduced Jamil Abu-Wardeh and Dean Obeidallah (2012)
Escort for Honorary Degree recipient, Tom Alter (2011)
Forum Host/Introduced Zana Briski (2010)
Service to the Profession
Director of New Works, Voices of the Earth: Short Play Festival, Bemidji State University, April 3-5, 2020 (postponed until September 2020).
Elected Member-at-Large, Mid-American Theatre Conference, 2018-20.
Outside Reviewer, Promotion to Full Professor, Drew University, 2019.
Outside Reviewer, Department of Theatre, Susquehanna University, 2012.
Outside Reviewer, Department of Theatre and Dance, Ursinus College, 2010.
Outside Reviewer, Tenure Review, Denison University, 2008
Co-Chair Playwriting Symposium 2005-2007, Mid America Theatre Conference
Mentor for the ATHE Writing Mentorship Program 2002-03.
Chair, ATHE Mentoring Sub-Committee for Leadership and Professional Development,
1999-2002.
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